TO GET AN AGENT, OR NOT TO GET AN AGENT

Got my contract in my inbox today! I now feel legitimate! If I can only decipher the gobbledy gook!! This is where agents come in handy. But I've had contradictory advise on that front.


PROS:

1. They can handle all contract negotiations, taking on the "bad guy" role and getting you a better contract while you, the writer, can be the "good guy" and play nicey-nicey with the editor while you both happily revise your masterpiece.
2. They can represent you on future projects, making submissions and contacting publishing houses on your behalf, thus saving you countless amount of time researching markets.
3. They can bypass the slush pile.
4. They probably get faster responses.
5. Many publishers are closing their doors to unsolicited submissions.

CONS:

1. They take 15% of what is usually not a whole lot of pay to begin with.
2. In children's books, an agent is not a requirement to getting published.
3. According to Harold Underdown, in Five Reasons Why You Don't Need to get an Agent , not many agents specialize in picture books.

However, just because my first published book and this current one are picture books, and I'm working on a picture book project for Goosebottom Books, doesn't mean I specialize in them either. I have a multicultural Young Adult novel in progress and a couple of middle-grade fiction ideas/manuscripts sitting on the back burner. I'm definitely looking towards completing longer works. Which makes getting an agent more worthwhile.

The question is this: should I get one now? Would having an offer on the table make it easier for me to interest an agent? Agent Kristin Nelson said on her blog that she doesn't just accept a writer because he/she has an offer; she has to love that author's work. So, this reasoning is no guarantee I'll land an agent. At least not in time to negotiate this contract.

Should I go it alone? An editor friend of mine suggested that since I've waited so long and done all the work in getting the contract, I should keep the commission and try to negotiate this myself.

I have been waffling on this issue the past couple of days, doing all the research I can on publishing contract negotiations. Incidentally, anyone in this position MUST check out Kriston Nelson's Agenting 101 series on her blog where she breaks down the terms and terminology, what they mean, what to watch out for, danger signals, and tips for negotiations. It is great! Informative, helpful, and puts the legalese in words you can understand.

I've already spent two whole days on trying to figure out all this contract language and what terms they are actually offering me instead of finishing up the research on my Last Empress of China book. Which is making me lean towards the side of seeking an agent.

However, since I already have a contract, should I save the agent for my YA?

Anyone with comments or suggestions on this can contact me.

In the meantime, I should make a decision by Monday. Will let y'all know.

PERSISTENCE DOES PAY OFF!

Woo Hoo! Just got back from vacation and got a voice mail message from Joanne Taylor. She's making me an offer on my picture book! Words cannot describe how jazzed I am. After three and a half years, three editors, multiple story transformations, and a gazillion revisions, I finally have an offer. For all you writers out there, this is a good example of persistence, hard work, and never giving up—it really does pay off.


When I was driving to Sacramento airport (about three hours from my town) at 3 am., on my way to Montana, I was relishing the quiet and solitude while my husband and kids were snoozing in the car when a flash of light streaked across the night sky. A shooting star!, I thought. I'll have to make a wish.


And I did.


Guess what it was?


Yes!!! That Goldy Luck and the Three Chans will be published.


A happy coincidence? Or maybe there's some truth to this old superstition ...

ONE STEP CLOSER...

Got an email from Joanne Taylor of Tricycle Press today. Her boss has finally given her the green light to move forward with my picture book. Yay! But because Random House bought out Tricycle's parent company Ten Speed Press last year, they have the final say. So, she's sending an acquisitions package to the New York Director.

Phew! No wonder this business is so slow—there are so many hoops to jump through. 

Thank God, I'm on vacation with my family in Montana and visiting Yellowstone National Park—so much to see and do—so no time to wait by the phone with bated breath!

This huge guy can certainly make you forget about writing for awhile...

A FASCINATING READ

I just finished reading Sterling Seagrave's book, Dragon Lady, the Life and Legend of the Last Empress of China. I really enjoyed it. I have to say it's one of the best biographies I've read with clearly drawn characters and visual descriptions of the time period and the traditions and etiquettes of the Manchu court. He makes a convincing case of why Cixi, the last Empress of China, has been unjustly villified over the years.


For anyone interested in the history of China and biographies, I highly recommend this book. It's quite a tome at 560+ pages, but a fascinating read.

GREEN GULCH FARM WRITER'S RETREAT STILL HAS OPENINGS

There are still some openings at the SCBWI Kitteridge Retreat at Green  Gulch Farm in Marin County, north of San Francisco.

Space is still available! Kittridge Retreat  Green Gulch Farm Sept. 17 to 19 Optional SUNDAY night stay on Sept. 20

Creative Get-away Retreat Green Gulch Farm, Sept. 17  to Sept. 19 (Friday and Saturday nights, departing on Sunday Sept. 20, 2010) Optional SUNDAY night stay, Sept. 20 The April 2010 retreat sold out, so please register early! No speakers, no programs, just time to write or draw surrounded by the beautiful scenery of West Marin, plus informal evening readings and critiques.

Green Gulch Farm is part of the San Francisco Zen Center. The farm is located off of Highway 1 north of the Golden Gate Bridge, in a valley that opens out onto the Pacific Ocean. The accommodations for the retreat are at the Lindisfarne Guest House. The Guest House is a distinctive octagonal building with twelve rooms on two floors surrounding a 30-foot skylit atrium. The atrium provides a relaxing skylit sitting area where guests often gather to read or sit with a cup of tea by the fire. The building is constructed in a traditional Japanese style and heated with a central wood-burning stove and passive solar system. The guest rooms are simply, yet comfortably furnished, with large windows opening onto landscaped grounds. Each pair of rooms shares a bathroom and there is a centrally located shower. Snacks are always available in the guest house kitchen. Vegetarian meals are included in the price of the retreat. Single rooms, including meals, are $279.  Optional Sunday night, Sept. 20, is $100. There is limited availability for this night. Please check with Margaret before you sign up for it. Refunds will only be made if a substitute can be found. This retreat is available only to SCBWI members. Note: The retreat begins at 3 PM Friday, and ends at 1 PM Sunday. The optional Sunday night ends after lunch on Monday. Directions to Green Gulch Farm: Take Highway 101 to the Highway 1/Stinson Beach exit. Turn left at the Arco station onto Highway 1 (Shoreline Highway). Follow the green signs for Highway 1/Stinson Beach. After 2.5 miles the road forks - bear left towards Muir Beach. Go 2 more miles and you'll see a eucalyptus grove and large sign on the left indicating the driveway, "Zen Center/Green Gulch Farm/Wheelwright Center."  Questions? E-mail Margaret Speaker Yuan at books4women(at)yahoo.com (replace (at) with @)  Be sure to check with Margaret before you register for the Optional Sunday night. Availability is limited. Fall Retreat / $279  Fall Retreat / Sunday night $100

KEEPING MY FINGERS CROSSED

Just got an email from Joanne Taylor. Her boss is still on the fence about my picture book, but they'll be meeting on Aug. 12 to talk about acquisitions. Joanne says, "I'm  doing my best. I promise!" When an editor goes to bat for you or your manuscript, that's half the battle!
Still keeping my fingers crossed.

GREEN GULCH FARM RETREAT

Another Kittridge Writer's Retreat has been scheduled for Green Gulch Farm in Marin County just North of San Francisco for Sept. 17 - 19. It's coming at a good time—two weeks before the Cixi manuscript is due—so, I'll need all the uninterrupted work time I can get to finish writing and polishing the first draft to submit to Goosebottom Books by Oct. 1. 

I love this retreat! It's in the lush, beautiful surroundings of Green Gulch farm where we get three great vegetarian meals served to us, all the coffee and tea we can handle to propel us through a flurry of creativity, cozy accommodations, and the company of other writers with whom we can share our work, publishing successes and woes. 


My sister has also signed up for the retreat, and my friend and fellow writer and co-member of the Ukiah Writers' Salon, Gretchen Maurer, will also be attending. Gretchen is also working on a book for  The Thinking Girl's Treasury of Dastardly Dames. Her project is on Bloody Mary, Mary I of England, so it will be fun and inspiring to be able to discuss and dissect our manuscripts in a supportive and relaxing setting.


Anyone interested in signing up for this retreat, can contact Margaret Speaker Yuan at books4women@yahoo.com. There are only slots for 15 writers, so sign up quickly. It's a retreat you won't forget! However, it's only open to SCBWI members. For more information about joining SCBWI, go to the Society of Childrens' Book Writers and Illustrators website.

NO NEWS IS STILL GOOD NEWS...I GUESS

No word from Tricycle Press yet. It's been a month since the manuscript went to acquisitions, and three weeks since I sent the editor an email inquiring about the status of the manuscript. In publishing, there's a fine line between follow-up and stalking. So for now, I'll be busy working on my other projects, and let this sleeping dog lie.


No News is still Good News.

QUERY AND PLOT TIPS FROM JILL CORCORAN AND MARTHA ALDERSON

Here are some Query letters Do's and Don'ts from Jill Corcoran of the Herman Agency:

• Research agents
• Send query ONLY to agents who represent what you write
• DO NOT query on a book that's not complete
• DO NOT write every agent you are querying in the TO line
• DO NOT say that your kids/grandkids/parent/neighbor love your book
• DON'T say which agents/editors have turned you down and quote their rejections. Even if they are glowing, they're still rejections.

Query Letter Formula:
    1st paragraph—Some agents want you to jump right into the synopsis of your story. Jill prefers to know why you are querying her upfront, so include short, precise and true reasons why you are querying her. This is where researching agents come in.
    2nd (and possibly 3rd) paragraph—write 2 - 10 sentence synopsis of your story. Agents want to know:

• Title of your manuscript
• Is it a picture book, middle grade, chapter book, young adult?
• Genre: fantasy, contemporary, romance, historical 
• Age of your main character
• What is your protagonist's problem
• If important, the setting

    Paragraph about you:

• Mention any previously published work, include name of publisher and year of publication. Don't mention self-pubished books unless you have sold 10,000 copies or more.
• Well-known and respected magazines like Highlights or Cricket mags. count. Little known e-zines don't make much difference
• Mention legitimate awards and honors
• If you have an MFA, mention it.
• Include any expertise that relate to your book ie. if you're writing a book on Greece and you're an anthropologist who's worked in Greece etc.
• Any membership info. such as SCBWI.

    Final paragraph—Keep it simple: "Thank you for your time and consideration."


Martha Alderson's Definition of Plot:
    Plot is a series of scenes deliberately arranged by cause and effect to create Dramatic Action. These scenes are filled with conflict that furthers the Character Emotional Development toward transformation. When the dramatic actions changes the character at depth over time, the story means something or becomes Thematically Significant.


Some important terms:

• Protagonist—defined by who is changed by the dramatic action
• Antagonist—Anyone or anything impeding the protagonist reaching his/her goal
• Goal—something tangible, concrete, measurable
• Climax—protagonist can do whatever he/she wasn't able to do before. It's the part where the protagonist finally triumphs over the antagonist

The middle, where writers often gets bogged down, is the territory of the antagonist. It's where the protagonist is stopped from reaching his/her goal. This is where you challenge your character and show who your character really is.


Flaws, hates, and fears are good plot builders. If your story drags, put your character in a situation where he is confronted by his flaws, hates and fears.


I have Martha's DVD, Blockbuster Plots, and find it extremely helpful in breaking down the plotting process. She also explains the different plot points in a clear, visual manner using Gennifer Choldenko's middle grade, Al Capone Does my Shirts, as an example.




                                  

SUMMER CONFERENCE AT DOMINICAN UNIVERSITY

On July 16, I headed to my alma mater, Dominican University, for the SCBWI Summer Conference. Despite some new buildings and physical reorganization, much of the campus remained the same, and it was wonderful to take a walk through memory lane on Dominican's bucolic grounds. I could only attend one day of this three day conference and retreat, but it was great to re-c0nnect with writing friends, Eve Aldridge, Andrea McAfee, Pat Khan, Louise Hendrikson, and others.


The two speakers, agent Jill Corcoran from the Herman Agency and Martha Alderson, author of Blockbuster Plots, were informative and enlightening. Jill spoke on the do's and don'ts of queries and synopses and the power of Voice. Martha presented her famous breakdown of effective plotting.

Lunch in Calaruega Dining Hall also brought back memories of my college days. I wish I had both the time and the money to have stayed the whole weekend, but my girls had a horse show presentation on July 17 that I didn't want to miss. 


At the end of the day, I received my manuscript critique from Jill Corcoran. On the whole, it was very positive and encouraging. She thought the manuscript sample I submitted was beautifully written, but slow from pages 3 - 10 and suggested I re-work the pacing. She was interested enough in the story that she asked to see the full manuscript when it was done, and gave me her business card. Being the slow writer that I am, I'm really going to have to work hard on establishing a routine of writing a certain amount of pages or words a day to complete the manuscript, even as I'm focusing on my biography of Cixi, the last Empress of China, for Goosebottom books. That manuscript is due on October 1!

I'M A GOOSE!

My sister, children's book author Shirin Yim Bridges (Ruby's Wish, Chronicle Books, 2002; The Umbrella Queen, Greenwillow Books, 2008) just started a new small press, Goosebottom Books. Goosebottom will be launching its debut series, The Thinking Girl's Treasury of Real Princesses, this October. The series, for ages 9-13, includes books about Hatshepsut of Egypt, Artemisia of Caria, Sorghaghtani of Mongolia, Qutlugh Terkan Khatun of Kirman, Isabella of Castile, and Nur Jahan of India. (For obvious reasons, each book will include a pronunciation guide!) Richly illustrated and narrated with touches of irreverent humor, these books bring to life the stories of real and remarkable princesses who overcame barriers to make a mark in history.

 Shirin wrote all six books in the first series. The Real Princesses books will be available on Amazon.com in September, and in bookstores in October.

Goosebottom has several additional series planned, the second of which will be The Thinking Girl's Treasury of Dastardly Dames. Each book in this 6 book series will be written by a different author. For this project, a call for submissions went out to writers known to Shirin (me included) and consulting editor Amy Novesky, a former editor at Chronicle Books. You'd think, being Shirin's sister that I'd be a shoo-in right? Nope. I had to submit a writing sample just like everyone else. It's all for the best though because Amy Novesky reviewed the manuscripts, so I can be assured that my selection as one of the writers of the second series is based on the merit of my submission, and not on any familial connection. The dastardly dames of the second series include Mary I of England; Marie Antoinette, Austrian-born French Queen; Cixi, the last Empress of China; Agrippina, Roman Empress; Catherine de Medici, Italian-born Queen of France; and Cleopatra VII, the last Pharoah of Egypt. I'll be writing the biography of Cixi, the last Empress of China.


Goosebottom Books does accept unsolicited submissions from new and published writers alike. They are planning two or three more series. Writers wishing to be considered for a future series, can send a writing sample of no more than 1000 words to submissions@goosebottombooks.com. Goosebottom Books is also looking for illustrators. For consistency of artistic styles, one illustrator will be selected to illustrate all the books in a series. Interested illustrators can send a link to their portfolio to shirin.bridges@goosebottombooks.com. You can also follow Goosebottom Books on Facebook.


Currently, Goosebottom Books is planning its book tour (locations to be announced). One definite booking is the Sonoma County Book Festival on Sept. 25. Shirin and I will both be there at the Goosebottom booth, so do stop by and say "hello".

HOPING GOLDY LUCK IS LUCKY

After three and a half years and a million edits, my picture book manuscript, Goldy Luck and the Three Chans, is finally going to an acquisitions meeting at Tricycle Press. I've been working with editor Joanne Taylor who's been wonderfully encouraging and helpful, but it's now up to the publisher. So, I'm keeping my fingers crossed that good news will come my way soon. If this saga ends up positively, it will be a great example of perseverance!

HIGHLIGHTS FOR CHILDREN'S ARTICLE, PCCWW, AND OTHER WRITING NOTES

 

My friend, Gretchen, called me the other day to inform me that my article, "Dragons Race on Water" about the Dragon Boat Festival, finally appeared in the current (June) issue of Highlights for Children magazine. It's on page 10 for those of you who have this month's issue. I'm waiting for my complimentary copies, but glad to finally see it in print (it's been a long five year wait!)

Other writing notes:

• The play review I wrote for the Ukiah Players Theatre's production of Godspell appeared in the Thurs., June 20, issue of the Ukiah Daily Journal. This weekend, May 27 - 30, is the last weekend to see the play. Tickets can be purchased online.

• My long-suffering picture book manuscript, "Go Dil Lok and the Three Chans" has been sitting with Tricycle Press for 3 years now. It's been through 3 different editors who all have expressed an interest in it. After a 7 months gap of no contact, editor Joanne Taylor contacted me in November to tell me that they've misplaced my manuscript, and would I please send another one. Then in March, she emailed again to say that the publisher wasn't convinced it was the right project for them, but she would like to call me to discuss it. The long and short of that conversation was that the story had too many themes and she suggested keeping it to the basic Goldilocks and the 3 Bears structure. The revisions were emailed back to her 3 weeks ago, but there's been no word yet. I just realized that there's a pattern of 3's here. Maybe that's significant in some way? In either case, it hasn't been outright rejected yet, so there's still a little hope.

• The Pacific Coast Children's Writers Workshop (PCCWW) is now on Facebook and LinkedIn. It's a wonderful workshop for writers of middle grade and young adult novels on the beach in Santa Cruz, CA. with beach front accommodations available at the bucolic Pajaro Dunes resort. This year's event will be on Aug. 20 - 22. The faculty includes literary agent Ted Malawer, Upstart Crow Agency; senior editor Kate Harrison, Dial Book for Young Readers; and editor and publisher Laura Backes, Children's Book Insider. For an early-bird discount, mention you saw the announcement on LinkedIn by May 31 and receive a $25 discount on full enrollment. Other discounts can be located on the PCCWW website. Keep checking back for further discount announcements and information. I'll post them as I get them.

ANOTHER EXHILIRATING NEW PLAYS FESTIVAL AT MENDO. COLLEGE

The New Plays Festival was a blast as usual! Ten 10 min. plays by ten different playwrights. Playing with Knives received a good audience response, which is gratifying. The cast included: Justin Briggs as Harvey Crenshaw; Jan Michele as Muriel Crenshaw; Mikael Tadeo as Mugger #1, Tony; and Jake Stoepler as Mugger #2, Marco. They all did a fabulous job! Justin was particularly hilarious in the lead role. I also enjoyed Night Class by Don Samson and Corinna Rogers' Perfect Results. I'll be purchasing the DVD of the productions when it's available, so will post Playing with Knives either here or on my website.

Check back in to watch it.

PLAYING WITH KNIVES AT MENDOCINO COMMUNITY COLLEGE

OPENING NIGHT for Mendocino College's New Plays Festival! My ten minute play, "Playing with Knives", performed earlier this year in Los Angeles by Fire Rose Productions, is in the line-up for the 8th Annual New Plays Festival at Mendocino College. It's always a fun evening of 8 - 10 short plays by different local playwrights. The cast is great, and I'm looking forward to seeing their performances tonight and tomorrow night. Check out the description of the plays on Facebook.

CALL OF THE WILD

Ahhh...another heavenly writer's retreat at Green Gulch Farm in Marin County. There's nothing like a little Zen-ness to inspire your muse. I worked on Chapter 6 of my Young Adult novel, but really struggled with making certain concepts work. Of course, the bucolic surroundings, gorgeous sunshine, and call of Muir beach just a 20 min. walk away threatened to distract. However, I reached deep and followed author Jane Yolen's advice: Butt In Chair, and by the end of the retreat had finally completed that Chapter and begun the next. What a feeling of accomplishment that is!

The vegetarian food was delicious, as usual, and the opportunity to commiserate with other writers about writing and re-connect with old friends was priceless.

The Kitteridge Writer's Retreat at Green Gulch Farm is open to SCBWI (Society of Children Book Writers and Illustrators) members only, but is truly worth the drive and the membership. The next retreat at Green Gulch is scheduled for September (date to be announced). If you can't wait that long, North Coast SCBWI is hosting a retreat and workshop at Dominican College in San Rafael, July 15 - 18. The retreat is a no-program, no-pressure writing time for attendees. The workshop features agent Jill Corcoran from the Herman Agency, Martha Alderson, author of Blockbuster Plots, Kathleen Duey, author of Skin Hunger and Sacred Scars, editor Andrea Welch from Beach Lane Books, and for an additional fee, a manuscript critique from one of the faculty.

10 MIN. PLAYS—SUBMISSIONS, FESTIVALS AND MORE

I mentioned in my last blog that Fire Rose Productions is looking for submissions for their 8th Annual Ten Minute Play contest. For those of you who have thought of writing a play, but found the process a little daunting, the 10 min. play format is a good place to start. Here are some sites I've found with useful information on how to write a 10 min. play:

http://www.10-minute-plays.com/how_to_write_a_10_minute_play.html

http://www.ehow.com/how_2102436_write-ten-minute-play.html

In addition to Fire Rose Productions, other places that offer 10 min. play festivals where you can submit your play are:

http://www.10minuteplays.com/

http://www.shortandsweet.org/

http://www.inspiratofestival.ca/write-a-play.php

http://www.fusionabq.org/TheSevenSubmissions.htm

http://www.actorstheatre.org/humana_contest.htm

and the Festival of New Plays at Mendocino Community College where I got my start writing Ten Minute plays. Their annual deadline is Feb. 14.

Here's another great writing site that is chock full of useful information and resources:

http://www.burryman.com

Look under play submissions, and you'll find a list of places that publish plays, contests, festivals, plus submission guidelines.

Happy Writing!

"PLAYING WITH KNIVES" GOES HOLLYWOOD!

I just returned from a fun weekend in Los Angeles where my ten minute play, "Playing with Knives" was performed as part of Fire Rose Production's 7th Annual Ten-minute Play Festival. Last year, they had moved the performances to a larger theatre in Santa Monica, but this year, the plays were performed at their home theatre, the Secret Rose Theatre in North Hollywood. The 60-seat theatre was so packed that they had to place some throw cushions on the floor to accommodate the overflow. The younger, more supple of the audience members, my brother, Jason, included, gamely gave up their seats to get front-row floor seating. Well, at least Jason's tush was adequately padded!

The festival was divided into two groups (Group A & B) of 6 plays each. Group A performed on Jan. 7, 8 & 9, and Group B, which included "Playing with Knives", performed on Jan. 14, 15, & 16. The top 3 plays in each group (chosen by audience vote) got to perform in the "Best of ..." show on Sunday, Jan. 17. I was honored that "Playing with Knives" was selected as one of 6 for the "Best of ..." show. "Match Point", a very funny play written by Chris Widney, won the Mercer Award this year. Congratulations, Chris!

Thank you to Kaz Matamura, co-founder of the Secret Rose Theatre and Fire Rose Productions, and director of "Playing with Knives", and a talented cast who brought the play to life and made it so much fun: Michael Judson Pratt, Ellen Bienenfeld, Kevin Marshall Pinkney, and Stephen Katz.

Fire Rose Productions is currently seeking submissions for the 8th Annual Ten Minute Play Festival. Deadline for submissions is March 30, 2010. For more information, click here.

DRIVING IN THE FOG

I'm into collecting quotes lately, especially ones related to writing. Here's one of my faves. I find it particularly inspiring:

Writing is like driving in the fog. You can only see as far as your headlights, but you can make the whole trip that way — E.L. Doctorow

Hear, hear! If you get overwhelmed or intimidated by the thought of planning out or writing the whole book, like I often am, break it down into a chapter at a time. Works for me.

I attended the Northern SCBWI Fall Conference at Mills College in Oakland on Oct. 24. It's a beautiful campus. I enjoyed seeing writing friends and acquaintances, and the conference offered interesting tracks on picture books and marketing. I did get to talk to Abigail Samoun of Tricycle Press about my picture book manuscript that has gone through 3 editors, and has now disappeared into the Black Hole of publishing. She encouraged me to keep contacting Joanne Taylor, the editor who had it last, but other than that, offered no new insights as to its status. As Ms. Taylor hasn't returned my last couple of emails, I'm not holding out much hope that anything will happen with Tricycle. Oh well, onwards and forwards.

INSPIRE YOUR SOUL, INSPIRE YOUR WRITING

I just came back from yet another SCBWI Green Gulch Writing Retreat (they're having it twice a year now - in Spring and in Fall). I tell you, I'm hooked! I'll have to bring a camera next time, so I can post some pictures. I arrived about 4 pm. on Friday, Sept. 18. I found my assigned room, set up my computer, and looked out the large windows overlooking the lush hillside to see not one, but two baby deer munching on leaves and grass just a few feet from me! Ahhh ... if that doesn't inspire your writing, it should inspire the Soul, or at the very least, your oneness with Nature.

I spent the weekend working on my Young Adult novel which I had just started. Chapters one and Two have been very slow going, but by Sunday morning, Chapter Three was flowing much more fluidly. It was an all-women group this time, some of whom I had met and known at previous Green Gulch retreats and other writing conferences, some I got to meet and know for the first time. A small intimate retreat like this is such a great place to make new writing friends. I'm looking forward to seeing a few of these women again at the SCBWI Fall Conference in Oakland, October 24. I also really enjoyed the informal critique groups in the evenings. Usually attended by just a small handful of us, the Saturday night one attracted almost the whole group and it took us close to 3 hours to get around to everybody! But what a treat to hear some of the wonderful pieces the other writers are working on, and to get good insight and some direction about your own work.

The food was delicious as usual, especially this delectable potato salad and an out-of-this-world spinach fettucine dish. The next Green Gulch Retreat is in April, and you can bet my Macintosh laptop I'll be there!

By the way, my friend, Elizabeth Shreeve's new picture book, Oliver at the Window, just came out from Front Street/Boyds Mill Press. Check it out on her website, www.elizabethshreeve.com. Elizabeth also has a Book Party planned to launch the publication of this book at the Book Passage in Corte Madera, on Sat., Oct. 3rd, at 2 pm. Do come by, say 'Hi', get a signed copy of the book, and tell her I sent you.