GREEN GULCH FARM WRITER'S RETREAT STILL HAS OPENINGS

There are still some openings at the SCBWI Kitteridge Retreat at Green  Gulch Farm in Marin County, north of San Francisco.

Space is still available! Kittridge Retreat  Green Gulch Farm Sept. 17 to 19 Optional SUNDAY night stay on Sept. 20

Creative Get-away Retreat Green Gulch Farm, Sept. 17  to Sept. 19 (Friday and Saturday nights, departing on Sunday Sept. 20, 2010) Optional SUNDAY night stay, Sept. 20 The April 2010 retreat sold out, so please register early! No speakers, no programs, just time to write or draw surrounded by the beautiful scenery of West Marin, plus informal evening readings and critiques.

Green Gulch Farm is part of the San Francisco Zen Center. The farm is located off of Highway 1 north of the Golden Gate Bridge, in a valley that opens out onto the Pacific Ocean. The accommodations for the retreat are at the Lindisfarne Guest House. The Guest House is a distinctive octagonal building with twelve rooms on two floors surrounding a 30-foot skylit atrium. The atrium provides a relaxing skylit sitting area where guests often gather to read or sit with a cup of tea by the fire. The building is constructed in a traditional Japanese style and heated with a central wood-burning stove and passive solar system. The guest rooms are simply, yet comfortably furnished, with large windows opening onto landscaped grounds. Each pair of rooms shares a bathroom and there is a centrally located shower. Snacks are always available in the guest house kitchen. Vegetarian meals are included in the price of the retreat. Single rooms, including meals, are $279.  Optional Sunday night, Sept. 20, is $100. There is limited availability for this night. Please check with Margaret before you sign up for it. Refunds will only be made if a substitute can be found. This retreat is available only to SCBWI members. Note: The retreat begins at 3 PM Friday, and ends at 1 PM Sunday. The optional Sunday night ends after lunch on Monday. Directions to Green Gulch Farm: Take Highway 101 to the Highway 1/Stinson Beach exit. Turn left at the Arco station onto Highway 1 (Shoreline Highway). Follow the green signs for Highway 1/Stinson Beach. After 2.5 miles the road forks - bear left towards Muir Beach. Go 2 more miles and you'll see a eucalyptus grove and large sign on the left indicating the driveway, "Zen Center/Green Gulch Farm/Wheelwright Center."  Questions? E-mail Margaret Speaker Yuan at books4women(at)yahoo.com (replace (at) with @)  Be sure to check with Margaret before you register for the Optional Sunday night. Availability is limited. Fall Retreat / $279  Fall Retreat / Sunday night $100

KEEPING MY FINGERS CROSSED

Just got an email from Joanne Taylor. Her boss is still on the fence about my picture book, but they'll be meeting on Aug. 12 to talk about acquisitions. Joanne says, "I'm  doing my best. I promise!" When an editor goes to bat for you or your manuscript, that's half the battle!
Still keeping my fingers crossed.

GREEN GULCH FARM RETREAT

Another Kittridge Writer's Retreat has been scheduled for Green Gulch Farm in Marin County just North of San Francisco for Sept. 17 - 19. It's coming at a good time—two weeks before the Cixi manuscript is due—so, I'll need all the uninterrupted work time I can get to finish writing and polishing the first draft to submit to Goosebottom Books by Oct. 1. 

I love this retreat! It's in the lush, beautiful surroundings of Green Gulch farm where we get three great vegetarian meals served to us, all the coffee and tea we can handle to propel us through a flurry of creativity, cozy accommodations, and the company of other writers with whom we can share our work, publishing successes and woes. 


My sister has also signed up for the retreat, and my friend and fellow writer and co-member of the Ukiah Writers' Salon, Gretchen Maurer, will also be attending. Gretchen is also working on a book for  The Thinking Girl's Treasury of Dastardly Dames. Her project is on Bloody Mary, Mary I of England, so it will be fun and inspiring to be able to discuss and dissect our manuscripts in a supportive and relaxing setting.


Anyone interested in signing up for this retreat, can contact Margaret Speaker Yuan at books4women@yahoo.com. There are only slots for 15 writers, so sign up quickly. It's a retreat you won't forget! However, it's only open to SCBWI members. For more information about joining SCBWI, go to the Society of Childrens' Book Writers and Illustrators website.

NO NEWS IS STILL GOOD NEWS...I GUESS

No word from Tricycle Press yet. It's been a month since the manuscript went to acquisitions, and three weeks since I sent the editor an email inquiring about the status of the manuscript. In publishing, there's a fine line between follow-up and stalking. So for now, I'll be busy working on my other projects, and let this sleeping dog lie.


No News is still Good News.

QUERY AND PLOT TIPS FROM JILL CORCORAN AND MARTHA ALDERSON

Here are some Query letters Do's and Don'ts from Jill Corcoran of the Herman Agency:

• Research agents
• Send query ONLY to agents who represent what you write
• DO NOT query on a book that's not complete
• DO NOT write every agent you are querying in the TO line
• DO NOT say that your kids/grandkids/parent/neighbor love your book
• DON'T say which agents/editors have turned you down and quote their rejections. Even if they are glowing, they're still rejections.

Query Letter Formula:
    1st paragraph—Some agents want you to jump right into the synopsis of your story. Jill prefers to know why you are querying her upfront, so include short, precise and true reasons why you are querying her. This is where researching agents come in.
    2nd (and possibly 3rd) paragraph—write 2 - 10 sentence synopsis of your story. Agents want to know:

• Title of your manuscript
• Is it a picture book, middle grade, chapter book, young adult?
• Genre: fantasy, contemporary, romance, historical 
• Age of your main character
• What is your protagonist's problem
• If important, the setting

    Paragraph about you:

• Mention any previously published work, include name of publisher and year of publication. Don't mention self-pubished books unless you have sold 10,000 copies or more.
• Well-known and respected magazines like Highlights or Cricket mags. count. Little known e-zines don't make much difference
• Mention legitimate awards and honors
• If you have an MFA, mention it.
• Include any expertise that relate to your book ie. if you're writing a book on Greece and you're an anthropologist who's worked in Greece etc.
• Any membership info. such as SCBWI.

    Final paragraph—Keep it simple: "Thank you for your time and consideration."


Martha Alderson's Definition of Plot:
    Plot is a series of scenes deliberately arranged by cause and effect to create Dramatic Action. These scenes are filled with conflict that furthers the Character Emotional Development toward transformation. When the dramatic actions changes the character at depth over time, the story means something or becomes Thematically Significant.


Some important terms:

• Protagonist—defined by who is changed by the dramatic action
• Antagonist—Anyone or anything impeding the protagonist reaching his/her goal
• Goal—something tangible, concrete, measurable
• Climax—protagonist can do whatever he/she wasn't able to do before. It's the part where the protagonist finally triumphs over the antagonist

The middle, where writers often gets bogged down, is the territory of the antagonist. It's where the protagonist is stopped from reaching his/her goal. This is where you challenge your character and show who your character really is.


Flaws, hates, and fears are good plot builders. If your story drags, put your character in a situation where he is confronted by his flaws, hates and fears.


I have Martha's DVD, Blockbuster Plots, and find it extremely helpful in breaking down the plotting process. She also explains the different plot points in a clear, visual manner using Gennifer Choldenko's middle grade, Al Capone Does my Shirts, as an example.




                                  

SUMMER CONFERENCE AT DOMINICAN UNIVERSITY

On July 16, I headed to my alma mater, Dominican University, for the SCBWI Summer Conference. Despite some new buildings and physical reorganization, much of the campus remained the same, and it was wonderful to take a walk through memory lane on Dominican's bucolic grounds. I could only attend one day of this three day conference and retreat, but it was great to re-c0nnect with writing friends, Eve Aldridge, Andrea McAfee, Pat Khan, Louise Hendrikson, and others.


The two speakers, agent Jill Corcoran from the Herman Agency and Martha Alderson, author of Blockbuster Plots, were informative and enlightening. Jill spoke on the do's and don'ts of queries and synopses and the power of Voice. Martha presented her famous breakdown of effective plotting.

Lunch in Calaruega Dining Hall also brought back memories of my college days. I wish I had both the time and the money to have stayed the whole weekend, but my girls had a horse show presentation on July 17 that I didn't want to miss. 


At the end of the day, I received my manuscript critique from Jill Corcoran. On the whole, it was very positive and encouraging. She thought the manuscript sample I submitted was beautifully written, but slow from pages 3 - 10 and suggested I re-work the pacing. She was interested enough in the story that she asked to see the full manuscript when it was done, and gave me her business card. Being the slow writer that I am, I'm really going to have to work hard on establishing a routine of writing a certain amount of pages or words a day to complete the manuscript, even as I'm focusing on my biography of Cixi, the last Empress of China, for Goosebottom books. That manuscript is due on October 1!

I'M A GOOSE!

My sister, children's book author Shirin Yim Bridges (Ruby's Wish, Chronicle Books, 2002; The Umbrella Queen, Greenwillow Books, 2008) just started a new small press, Goosebottom Books. Goosebottom will be launching its debut series, The Thinking Girl's Treasury of Real Princesses, this October. The series, for ages 9-13, includes books about Hatshepsut of Egypt, Artemisia of Caria, Sorghaghtani of Mongolia, Qutlugh Terkan Khatun of Kirman, Isabella of Castile, and Nur Jahan of India. (For obvious reasons, each book will include a pronunciation guide!) Richly illustrated and narrated with touches of irreverent humor, these books bring to life the stories of real and remarkable princesses who overcame barriers to make a mark in history.

 Shirin wrote all six books in the first series. The Real Princesses books will be available on Amazon.com in September, and in bookstores in October.

Goosebottom has several additional series planned, the second of which will be The Thinking Girl's Treasury of Dastardly Dames. Each book in this 6 book series will be written by a different author. For this project, a call for submissions went out to writers known to Shirin (me included) and consulting editor Amy Novesky, a former editor at Chronicle Books. You'd think, being Shirin's sister that I'd be a shoo-in right? Nope. I had to submit a writing sample just like everyone else. It's all for the best though because Amy Novesky reviewed the manuscripts, so I can be assured that my selection as one of the writers of the second series is based on the merit of my submission, and not on any familial connection. The dastardly dames of the second series include Mary I of England; Marie Antoinette, Austrian-born French Queen; Cixi, the last Empress of China; Agrippina, Roman Empress; Catherine de Medici, Italian-born Queen of France; and Cleopatra VII, the last Pharoah of Egypt. I'll be writing the biography of Cixi, the last Empress of China.


Goosebottom Books does accept unsolicited submissions from new and published writers alike. They are planning two or three more series. Writers wishing to be considered for a future series, can send a writing sample of no more than 1000 words to submissions@goosebottombooks.com. Goosebottom Books is also looking for illustrators. For consistency of artistic styles, one illustrator will be selected to illustrate all the books in a series. Interested illustrators can send a link to their portfolio to shirin.bridges@goosebottombooks.com. You can also follow Goosebottom Books on Facebook.


Currently, Goosebottom Books is planning its book tour (locations to be announced). One definite booking is the Sonoma County Book Festival on Sept. 25. Shirin and I will both be there at the Goosebottom booth, so do stop by and say "hello".

HOPING GOLDY LUCK IS LUCKY

After three and a half years and a million edits, my picture book manuscript, Goldy Luck and the Three Chans, is finally going to an acquisitions meeting at Tricycle Press. I've been working with editor Joanne Taylor who's been wonderfully encouraging and helpful, but it's now up to the publisher. So, I'm keeping my fingers crossed that good news will come my way soon. If this saga ends up positively, it will be a great example of perseverance!

HIGHLIGHTS FOR CHILDREN'S ARTICLE, PCCWW, AND OTHER WRITING NOTES

 

My friend, Gretchen, called me the other day to inform me that my article, "Dragons Race on Water" about the Dragon Boat Festival, finally appeared in the current (June) issue of Highlights for Children magazine. It's on page 10 for those of you who have this month's issue. I'm waiting for my complimentary copies, but glad to finally see it in print (it's been a long five year wait!)

Other writing notes:

• The play review I wrote for the Ukiah Players Theatre's production of Godspell appeared in the Thurs., June 20, issue of the Ukiah Daily Journal. This weekend, May 27 - 30, is the last weekend to see the play. Tickets can be purchased online.

• My long-suffering picture book manuscript, "Go Dil Lok and the Three Chans" has been sitting with Tricycle Press for 3 years now. It's been through 3 different editors who all have expressed an interest in it. After a 7 months gap of no contact, editor Joanne Taylor contacted me in November to tell me that they've misplaced my manuscript, and would I please send another one. Then in March, she emailed again to say that the publisher wasn't convinced it was the right project for them, but she would like to call me to discuss it. The long and short of that conversation was that the story had too many themes and she suggested keeping it to the basic Goldilocks and the 3 Bears structure. The revisions were emailed back to her 3 weeks ago, but there's been no word yet. I just realized that there's a pattern of 3's here. Maybe that's significant in some way? In either case, it hasn't been outright rejected yet, so there's still a little hope.

• The Pacific Coast Children's Writers Workshop (PCCWW) is now on Facebook and LinkedIn. It's a wonderful workshop for writers of middle grade and young adult novels on the beach in Santa Cruz, CA. with beach front accommodations available at the bucolic Pajaro Dunes resort. This year's event will be on Aug. 20 - 22. The faculty includes literary agent Ted Malawer, Upstart Crow Agency; senior editor Kate Harrison, Dial Book for Young Readers; and editor and publisher Laura Backes, Children's Book Insider. For an early-bird discount, mention you saw the announcement on LinkedIn by May 31 and receive a $25 discount on full enrollment. Other discounts can be located on the PCCWW website. Keep checking back for further discount announcements and information. I'll post them as I get them.

ANOTHER EXHILIRATING NEW PLAYS FESTIVAL AT MENDO. COLLEGE

The New Plays Festival was a blast as usual! Ten 10 min. plays by ten different playwrights. Playing with Knives received a good audience response, which is gratifying. The cast included: Justin Briggs as Harvey Crenshaw; Jan Michele as Muriel Crenshaw; Mikael Tadeo as Mugger #1, Tony; and Jake Stoepler as Mugger #2, Marco. They all did a fabulous job! Justin was particularly hilarious in the lead role. I also enjoyed Night Class by Don Samson and Corinna Rogers' Perfect Results. I'll be purchasing the DVD of the productions when it's available, so will post Playing with Knives either here or on my website.

Check back in to watch it.

PLAYING WITH KNIVES AT MENDOCINO COMMUNITY COLLEGE

OPENING NIGHT for Mendocino College's New Plays Festival! My ten minute play, "Playing with Knives", performed earlier this year in Los Angeles by Fire Rose Productions, is in the line-up for the 8th Annual New Plays Festival at Mendocino College. It's always a fun evening of 8 - 10 short plays by different local playwrights. The cast is great, and I'm looking forward to seeing their performances tonight and tomorrow night. Check out the description of the plays on Facebook.

CALL OF THE WILD

Ahhh...another heavenly writer's retreat at Green Gulch Farm in Marin County. There's nothing like a little Zen-ness to inspire your muse. I worked on Chapter 6 of my Young Adult novel, but really struggled with making certain concepts work. Of course, the bucolic surroundings, gorgeous sunshine, and call of Muir beach just a 20 min. walk away threatened to distract. However, I reached deep and followed author Jane Yolen's advice: Butt In Chair, and by the end of the retreat had finally completed that Chapter and begun the next. What a feeling of accomplishment that is!

The vegetarian food was delicious, as usual, and the opportunity to commiserate with other writers about writing and re-connect with old friends was priceless.

The Kitteridge Writer's Retreat at Green Gulch Farm is open to SCBWI (Society of Children Book Writers and Illustrators) members only, but is truly worth the drive and the membership. The next retreat at Green Gulch is scheduled for September (date to be announced). If you can't wait that long, North Coast SCBWI is hosting a retreat and workshop at Dominican College in San Rafael, July 15 - 18. The retreat is a no-program, no-pressure writing time for attendees. The workshop features agent Jill Corcoran from the Herman Agency, Martha Alderson, author of Blockbuster Plots, Kathleen Duey, author of Skin Hunger and Sacred Scars, editor Andrea Welch from Beach Lane Books, and for an additional fee, a manuscript critique from one of the faculty.

10 MIN. PLAYS—SUBMISSIONS, FESTIVALS AND MORE

I mentioned in my last blog that Fire Rose Productions is looking for submissions for their 8th Annual Ten Minute Play contest. For those of you who have thought of writing a play, but found the process a little daunting, the 10 min. play format is a good place to start. Here are some sites I've found with useful information on how to write a 10 min. play:

http://www.10-minute-plays.com/how_to_write_a_10_minute_play.html

http://www.ehow.com/how_2102436_write-ten-minute-play.html

In addition to Fire Rose Productions, other places that offer 10 min. play festivals where you can submit your play are:

http://www.10minuteplays.com/

http://www.shortandsweet.org/

http://www.inspiratofestival.ca/write-a-play.php

http://www.fusionabq.org/TheSevenSubmissions.htm

http://www.actorstheatre.org/humana_contest.htm

and the Festival of New Plays at Mendocino Community College where I got my start writing Ten Minute plays. Their annual deadline is Feb. 14.

Here's another great writing site that is chock full of useful information and resources:

http://www.burryman.com

Look under play submissions, and you'll find a list of places that publish plays, contests, festivals, plus submission guidelines.

Happy Writing!

"PLAYING WITH KNIVES" GOES HOLLYWOOD!

I just returned from a fun weekend in Los Angeles where my ten minute play, "Playing with Knives" was performed as part of Fire Rose Production's 7th Annual Ten-minute Play Festival. Last year, they had moved the performances to a larger theatre in Santa Monica, but this year, the plays were performed at their home theatre, the Secret Rose Theatre in North Hollywood. The 60-seat theatre was so packed that they had to place some throw cushions on the floor to accommodate the overflow. The younger, more supple of the audience members, my brother, Jason, included, gamely gave up their seats to get front-row floor seating. Well, at least Jason's tush was adequately padded!

The festival was divided into two groups (Group A & B) of 6 plays each. Group A performed on Jan. 7, 8 & 9, and Group B, which included "Playing with Knives", performed on Jan. 14, 15, & 16. The top 3 plays in each group (chosen by audience vote) got to perform in the "Best of ..." show on Sunday, Jan. 17. I was honored that "Playing with Knives" was selected as one of 6 for the "Best of ..." show. "Match Point", a very funny play written by Chris Widney, won the Mercer Award this year. Congratulations, Chris!

Thank you to Kaz Matamura, co-founder of the Secret Rose Theatre and Fire Rose Productions, and director of "Playing with Knives", and a talented cast who brought the play to life and made it so much fun: Michael Judson Pratt, Ellen Bienenfeld, Kevin Marshall Pinkney, and Stephen Katz.

Fire Rose Productions is currently seeking submissions for the 8th Annual Ten Minute Play Festival. Deadline for submissions is March 30, 2010. For more information, click here.

DRIVING IN THE FOG

I'm into collecting quotes lately, especially ones related to writing. Here's one of my faves. I find it particularly inspiring:

Writing is like driving in the fog. You can only see as far as your headlights, but you can make the whole trip that way — E.L. Doctorow

Hear, hear! If you get overwhelmed or intimidated by the thought of planning out or writing the whole book, like I often am, break it down into a chapter at a time. Works for me.

I attended the Northern SCBWI Fall Conference at Mills College in Oakland on Oct. 24. It's a beautiful campus. I enjoyed seeing writing friends and acquaintances, and the conference offered interesting tracks on picture books and marketing. I did get to talk to Abigail Samoun of Tricycle Press about my picture book manuscript that has gone through 3 editors, and has now disappeared into the Black Hole of publishing. She encouraged me to keep contacting Joanne Taylor, the editor who had it last, but other than that, offered no new insights as to its status. As Ms. Taylor hasn't returned my last couple of emails, I'm not holding out much hope that anything will happen with Tricycle. Oh well, onwards and forwards.

INSPIRE YOUR SOUL, INSPIRE YOUR WRITING

I just came back from yet another SCBWI Green Gulch Writing Retreat (they're having it twice a year now - in Spring and in Fall). I tell you, I'm hooked! I'll have to bring a camera next time, so I can post some pictures. I arrived about 4 pm. on Friday, Sept. 18. I found my assigned room, set up my computer, and looked out the large windows overlooking the lush hillside to see not one, but two baby deer munching on leaves and grass just a few feet from me! Ahhh ... if that doesn't inspire your writing, it should inspire the Soul, or at the very least, your oneness with Nature.

I spent the weekend working on my Young Adult novel which I had just started. Chapters one and Two have been very slow going, but by Sunday morning, Chapter Three was flowing much more fluidly. It was an all-women group this time, some of whom I had met and known at previous Green Gulch retreats and other writing conferences, some I got to meet and know for the first time. A small intimate retreat like this is such a great place to make new writing friends. I'm looking forward to seeing a few of these women again at the SCBWI Fall Conference in Oakland, October 24. I also really enjoyed the informal critique groups in the evenings. Usually attended by just a small handful of us, the Saturday night one attracted almost the whole group and it took us close to 3 hours to get around to everybody! But what a treat to hear some of the wonderful pieces the other writers are working on, and to get good insight and some direction about your own work.

The food was delicious as usual, especially this delectable potato salad and an out-of-this-world spinach fettucine dish. The next Green Gulch Retreat is in April, and you can bet my Macintosh laptop I'll be there!

By the way, my friend, Elizabeth Shreeve's new picture book, Oliver at the Window, just came out from Front Street/Boyds Mill Press. Check it out on her website, www.elizabethshreeve.com. Elizabeth also has a Book Party planned to launch the publication of this book at the Book Passage in Corte Madera, on Sat., Oct. 3rd, at 2 pm. Do come by, say 'Hi', get a signed copy of the book, and tell her I sent you.

AND YOU THOUGHT BOOK PUBLISHING WAS SLOW ...

I just got an email from Carolyn Yoder from Highlights for Children magazine. The article I sold to them in 2005 on the Dragon Boat Festival is slated to be published in the June 2010 issue. That's 5 years after they purchased it! Oh well, Better Late than Never, I say. I'm just happy to finally see it in print. Of course, a few things had to be changed and added to make the article a little more contemporary. So, for those of you who have a subscription to Highlights, look for it in June.

THE YEAR IN REVIEW

Wow! I can't believe it's been a year since my last post! I had decided to take a short break from blogging to focus on Mom duties and other writing projects, and before I can say "Jack London", a whole year has passed! So, just a brief catch up:

Oct. 2008 - went to L.A. to see my 10 min. play, "Elevator" performed at the Miles Theatre in Santa Monica. Nice job, acting and directing-wise.

Feb. 2009 - Attended the SCBWI Writer's Retreat at Green Gulch Farm. This has easily become one of my favorite writing events - a weekend in a lovely, peaceful setting to focus on my writing, a chance to commiserate with other writers and get feedback on my work, and I don't have to cook and clean up! Plus, the vegetarian food is healthy, and delicious. I also attended the Asilomar Writers' Conference. Workshopped my picture book manuscript, Armadillo Soup and got some possible agent interest, but he wants me to cut it down to 600 - 650 words. So, I'll need to get back to that - soon!

June 2009 - participated in the 24 Hour play festival, this time as a solo writer, which was scary, but I got a great sense of accomplishment when I finished the play in 7 hours! And had a blast watching it performed the next night at Ukiah Player's Theatre. Of course, having a great team of actors to bring it to Life doesn't hurt.

June 2009 - Went with my family to Provence, France. Fantastic trip! But not much chance for writing.

Sept. 2009 - Submitted my picture book manuscript Go Dil Lok and the Three Chans to Bookstop Literary Agency.

So, that's it in a nutshell. My goal for this upcoming year -

a) write more consistently, which I can only do if I ...

b) Did not LIVE at my kids' school. Volunteerism is great; the school needs it, and my kids like seeing me there. But boy, can it wreak havoc with your writing career if you don't set some limits.

YOU NEVER KNOW WHO YOU'D BUMP INTO AT A WRITERS' CONFERENCE

I'm a big believer in Fate. If something is meant to happen, it'll happen--like getting a certain someone to propose to you, or getting hired for the job of your dreams, or getting a book published ...

And so it was that as luck, or Fate would have it, I ran into Susan McCombs of Tricycle Press at the Book Passage Children's Writers' Conference in July. Those of you who have read my previous blogs might remember that Tricycle has been sitting on one of my picture book manuscripts for quite awhile (a year and a half as a matter of fact, by the time I fortuitously bumped into Susan at the conference). I had received no word from Susan since October of 2007 when I sent her my revisions, and after not getting any responses to follow up e-mails, a phone call, and a letter, I had written the manuscript off as a lost cause with Tricycle Press.

I had already signed up for the conference when the week before I left, I found out that Susan was a last minute addition to the faculty. So, it was with great anticipation, and more than a little trepidation, that I prepared myself for a literary showdown of sorts (something akin to the Gunfight at the OK Corral, but with paper, pen, great wit, and barbed tongue). Okay, so this was merely played out in my head. In reality, I was readying for the inevitable, "Sorry, your revisions sucked, and we just discovered that you can't write to save your Life".

Thursday evening and all day Friday, there was no Susan sightings. Of course, not knowing what she looked like made the prospect of finding her a little more challenging. However, at lunch on Friday, I sat at a table with a woman who works in an office next to Ten Speed Press (Tricycle's parent company), and she said she knew Susan and would introduce her to me. Aaah--the Sixth Degree of Separation theory coming into play. So, at Saturday lunch, I looked for this woman without success. And then Fate stepped in.

A very friendly woman approached and asked if she could sit at my lunch table. I looked at her name tag, and lo and behold--Susan McCombs in the flesh! I quickly introduced myself, but before I could even blurt out the name of my manuscript, she said, "You're the one who sent me Go Dil Lok and the Three Chans! I want to talk to you."

So, to make a long story short:

• Susan is a lovely woman, not the cool, aloof editor with the "you're-just-a-lowly-writer" attitude I had expected.

• The manuscript was given to a young editor, Jo, at Tricycle who really wanted to work on it, but had to leave on emergency maternity leave, and the ball got dropped.

• Susan and I had a very productive chat about the story. She gave me a lot of encouraging feedback and helped me brainstorm and line edit the manuscript.

• She told me that they were still very interested in the manuscript and wanted me to send it to her directly when I was done with revisions.

• She will try and get it on the fast track when she receives it.

I'm happy to say that Go Dil Lok and the Three Chans hasn't died a slow, agonizing death underneath a mound of slush on some editor's desk. I'm currently working on revisions and hope to get the manuscript back to Susan by the end of this month or early November. By that time, Tricycle Press would have had this story for two years! Two years--sigh!--and still no contract. The good news is, they haven't rejected it yet either. 

So, it's back to revising ... perservering ... and hoping ...

ELEVATOR IN ACTOBERFEST

I'm going to Hollywood! Okay, so Fire Rose Productions is located in Hollywood, and this may be the closest I'll ever get to the big 'H' professionally, but still it's exciting. Elevator 

has been selected as one of 16 plays to be produced for Fire Rose Production's ACToberfest ten-minute play festival. Yay! It's the first time one of my plays has been performed and produced outside of Mendocino County.

In previous years, the plays were performed at the Secret Rose Theater in Hollywood, but this 60-seat venue sold out every year, and they've decided to move the performances to the Miles Playhouse in Santa Monica for 2008. Which is great, because my brother, Jason, Creative Director of Trigger lives there, so I can visit him--and get him to throw me a pre-play party. Hint, hint, Jase.

Elevator will be performed on Oct. 16 - 19. 

DEATH SUCKS!

This year's 24 hour play festival at the Ukiah Players Theatre was a blast! My co-writer from last year and fellow Ukiah Writers' Salon member, Paul Kubin, was unavailable this time due to the fact that he had to meet a long lost cousin or some such thing (... yeah, yeah, yeah ... and the dog ate his script ...) But fortunately, I was able to convince Terena Scott, a friend and playwright (she penned the play Choices for the New Plays Festival) to join me. Terena is the publisher of the small press Medusa's Muse, and a talented writer in her own right. 

Since Terena is a member of the writing group, The Vaguerants, our team became The Vaguerant Salon. We rounded up a great cast of actors: Tommy McFadden, Brittani Ray, Jason Briseno, and Jan Michele. I had worked with all of them before except Jan, with whom I was quite impressed after seeing her performance at the New Plays Festival. Doug Hundley signed on as the director. Unfortunately, Doug had to pull out two days before the event because his house was in the path of a forest fire and he had to ready himself for evacuation. After a mad (unsuccesful) scramble to find a replacement, in which I briefly (and nervously--because that meant I had to stay up for 24 hours) considered directing myself, Tommy bravely stepped forward to save the day!

We met at UPT at 6:30 pm. on June 27 (which happened to be my birthday) for drinks and appetizers, generously provided by Applebee's. Then the teams (7 in all) gathered in the theater for instructions and rules, one theme from each team was thrown into a hat, and a theme was drawn at random. This year's theme was: Death. The teams dispersed at 8:00 pm. and writers were left at the mercies of their imaginations for the next 12 hours.

Terena was great to collaborate with. It's hard, sometimes, to figure out what role each person plays in a collaboration. But we seemed to find the right groove. We had a subject matter that fit the theme: vampires (I always wanted to do a vampire spoof), and by 9 pm., had completed the first 3 pages. By midnight--Death Sucks! was born--and the final draft completed by 3 am. (which was a lot better than last year--I could at least sneak in a few hours sleep before returning to UPT to deliver the script to the director and actors).

The performances on Sat., June 28, were a riot! It's amazing what derangement can come out of the brains of writers pumped full of caffeine and pure adrenaline.

There are 24 hour play festivals cropping up all over the nation, with variations in rules. Here are a few:

http://www.fayettevilledowntown.org/faf/play/index.html

http://www.ashlandnewplays.org/our-events/247-project.html
http://www.24hourplays.com/

If you haven't yet participated in a 24 hour play festival, I highly recommend it. It's an experience like no other. Besides, what have you got to lose? 

Except a little sleep, of course.

AN AFFAIR -- OR TWO -- AND THE BELLY BUTTON THING

Who had an affair with whom and what is the belly button thing? For those of you who missed seeing my play, Elevator (and the answers to these questions), live on stage, click on the link. It was part of a great line-up of ten-minute plays in Mendocino College's 6th Annual New Plays Festival on May 9 & 10. This is my third involvement in this festival and it's always such a fun event. I loved my cast! They were wonderful to work with and very talented. Also, many thanks to my director, Maria Monti, who has such a great creative eye and truly has a knack for comedic timing. Plus, she gets my humor! The response from the audience was gratifying, and after some disappointments in the book world (see my blog, "Into the Black Hole"), it's nice to have my ego stroked a little.

For those of you who have been thinking of or are writing a ten-minute play, check out these resources:

http://www.10-minute-plays.com/how_to_write_a_10_minute_play.html
http://www.ehow.com/how_2102436_write-ten-minute-play.html
http://www.ehow.com/how_2102436_write-ten-minute-play.html

What do you do after you've written a ten-minute play? The increasing popularity of the ten-minute play format (cheap to produce because of minimal sets, lighting etc., gives the audience a sample of several plays in one night) has seen ten-minute play festivals crop up all over the world.

Here are a few:

http://www.10minuteplays.com/
http://www.shortandsweet.org/
http://www.inspiratofestival.ca/write-a-play.php
http://www.fusionabq.org/TheSevenSubmissions.htm

And the granddaddy of the ten-minute play festival: 

http://www.actorstheatre.org/humana_contest.htm

Here's another great writing site that is chock full of useful information and resources:

http://www.burryman.com

Look under play submissions, and you'll find a list of places that publish plays, contests, festivals, plus submission guidelines.

"ELEVATOR", A NEW 10-MIN. PLAY

My new ten minute play, "Elevator" has been chosen to be part of this year's New Plays Festival at Mendocino Community College. I've always loved this event and the close collaboration of the play production process. The director is Maria Monti, who directed my first play, "Flavor of the Month" in 2004.

Here's the synopsis: Amy just found out that her husband, Rob, had a one night stand. When they are stuck in an elevator with a divorce attorney, a marriage and family therapist, a forty-something divorcee, and a blonde bimbo, their marital woes become an open book and EVERYONE has an opinion on the subject! Will the attorney get a new client? Will the therapist save Amy and Rob’s marriage? What do the middle-aged divorcee and the blonde bimbo have in common? And what the hell is the belly-button thing? You’ll find out in this fun comedy about betrayal, forgiveness and the art of seduction.

It's always fun to go to auditions and get a first look at the actors who might inhabit the characters in my creation, and I'm very excited about the cast this year. We have a great group of actors who, I'm sure, will be wonderful in this play. I'm truly looking forward to rehearsals -- there's something magical about seeing the people you've created in your head come to Life on stage.

INTO THE BLACK HOLE

Somewhere earlier in my blogging career, I excitedly mentioned that an editor at Tricycle Press had taken one of my picture book manuscripts to an editorial meeting, and expressed interest and enthusiasm for the story. She asked for revisions which I then submitted to her. She then said she'd get back to me after meeting her deadlines. That was October of 2007. I have not heard from her, or anyone else at Tricycle Press since then. My e-mails, to which this editor responded fairly quickly in the beginning of our correspondence, have gone unanswered and there has been no response to my follow-up letter of enquiry regarding the status of my manuscript. The latter, it seems, has been sucked into publishing's Black Hole.

This is the maddeningly frustrating thing about navigating the publishing world, especially without an agent. Actually, this is the first time this has happened to me when an editor initiated communication then dropped off the face of the earth. Usually, I get a yay or nay, but total avoidance?

So, it's back to the drawing board -- agonizing research on which publishing houses I should submit to, plus a couple of agents (why not? I've decided that there are definite advantages to having one). A friend of mine attended a writing conference, where one of the keynote speakers mentioned that she had received 150 rejection letters on one manuscript. Depending on whether you tend to see the glass as half full or half empty, that can be completely disheartening or entirely uplifting. In either case, Tricycle Press makes it the 4th or 5th rejection for this manuscript, so I have 145 to go before I should label this manuscript a lost cause and abandon it.

So, my writer friends, keep writing, keep submitting, and May the Muse Be with You.

GREEN GULCH FARM RETREAT

The SCBWI-sponsored writer's retreat at Green Gulch Farm in Marin County, just north of San Francisco, on Feb. 1 - 3 was just what I needed. A whole weekend of writing -- with NO interruptions. Heavenly! Set amidst a grove of Eucalyptus trees, a mere 20 min. walk from Muir Beach, the tranquility of this Zen retreat was the place to nurse your muse. The price of the retreat included healthy vegetarian meals served in the main dining hall. Most of the writers' rooms were housed in an octagonal building with a common kitchen and sitting area, perfect for commiserating with your fellow writers. The simplicity of the rooms (one bed, a writng desk and a corner chair), offered little distraction from our tasks at hand--writing--except for a large window opening onto the lush, untamed beauty of Green Gulch farm. If it wasn't for the raging storm that descended upon us that weekend, I might have been sorely tempted to commune with Nature instead of my Muse.

During the retreat, I got to re-connect with a couple of writers I had met previously at other writers' conferences and workshops (Anne Marie Turner and Elizabeth Shreeve), and met new ones. Informal evening critique groups, delicious vegetarian meals, water-cooler conversations in the kitchen on all things writing, and infinite supplies of coffee and snacks -- who could ask for anything more?

All day Saturday, slashing rain pelted the windows of my little room, and winds whipped the Eucalyptus trees into a frenzied hula dance. Nothing to do really, but write. And write I did! There's something so freeing about letting the words flow, and immersing yourself in something creative for hours at a time. Ahhh ... this is what it feels like to be a full time writer.

I didn't walk away from the retreat with the Great American Novel, but I did completely revise a picture book manuscript, crafted a skeletal outline of a 10 min. play I'm planning on submitting to the New Plays Festival at Mendocino College, and with my writing soul completely refreshed.

I am soooo coming back next year!

CHILDREN'S BOOK INSIDER'S NEW E-BOOK

I've just figured out how to embed hyperlinks into the body of my blog, thanks to my web programmer, Marc Carson, (see? I did it, Marc!). It' so cool! Now, all I have to do is resist the temptation to link to everything!

Speaking of links, Children's Book Insider, has come out with a new e-book, "I Wish Someone Had Told Me That!", a compilation of words of wisdom and advice from 64 published children's book authors. And I'm on page 108! More than 60 authors opened up and shared their thoughts about literary lessons learned during the writing and publishing process. Jon Bard, Managing Editor of Children's Book Insider, and the editor of this e-book says in his introduction, "Some are touching, some are funny, some are true nuts & bolts. But all of the responses are truly inspirational."

You can purchase the e-book, by clicking on the above link.

FOR THE DIRECTION-CHALLENGED

Here's the thing I learned (the hard way) about GPS:

• It works great when you have no other directions to go on
• When you have a sense of direction (or lack thereof) like mine, it's better than fumbling around in the car for your map, pulling over at every gas station, or trying to call for help on your cell phone
• It DOES NOT always give you the most direct route

I discovered this last point when, on Nov. 7, I drove 2 hours from my home in Northern California to a social event at Chronicle Books in San Francisco commemorating their move to a new location. The worry-wart in me decided to cover my basis so I printed directions from Map Quest and programmed Chronicle's address into the GPS in my car. The Map Quest directions actually looked fairly simple--3 lefts from Van Ness, and you were there. But for reasons that are unclear to me now, just as I pulled off Highway 101 onto Lombard, I decided that my GPS had never failed me before--and hey, why have one in the car when you don't use it?

I wonder if GPS devices have a mind of their own, and mine decided to mess around with me--just for the fun of it. It sent me on a convoluted path, criss-crossing the city in downtown S.F. during rush hour traffic. Now, you have to understand that I live in a small, rural town where "traffic" constitutes 3 cars ahead of you at the stop sign. I'm not used to this bumper to bumper stuff with people weaving in and out of lanes and honking at you if you didn't start revving your engine before the light turns green.

Finally, relief seemed to be in sight. I spotted the name of the parking lot I had picked out from Map Quest, supposedly just behind the Chronicle offices, and I was only 15 mins. late. I pulled in, parked and paid my parking fees. As I headed down the street in my black pencil skirt and high heel pumps (the instructions from the Society of Children Book Writers and Illustrators SCBWI said to dress professionally, so I had to abandon my usual Mommy-sweats and tennis shoes), I realized that this wasn't the parking lot on my Map Quest directions. No, this parking lot was about seven blocks away from my intended destination! They have parking lot chains? Who'd have thought? Needless to say, by the time I walked there, stood around for an hour and a half mingling with my fellow writers and Chronicle editors, and walked back, my feet were ready for a Body Shop Peppermint foot soak.

On the plus side, I met some lovely writers and re-connected with my writing friend, Anthea Brown whom I met at the Big Sur Children's Writers' Workshop in December 2006. She's a wonderful, funny writer, and a terrific artist, so check out her website.

NURSING THE MUSE AT THE OLD CROCKER INN

I used to have this little writing fantasy--I have a charming writing cottage in a serene wooded setting where a brook babbles nearby and birds twitter in the trees. The cottage is furnished with one of those cozy armchairs you can really sink into with a good book, a built-in bookcase, a writing desk, my laptop computer, and a steaming pot of coffee. It's a cottage to which I can retreat everyday and pound out the next Great American Novel (or in my case, picture book or Young Adult fiction) for hours on end until the words blur on the page.

Recently, I have discovered a delightful bed and breakfast inn that has come closest to this fantasy than anything I've encountered. The Old Crocker Inn in Northern California was a perfect location for the self-imposed writers' retreat my friend, and fellow writing group member, Gretchen, and I embarked upon. Set in the hills a mere 10 mins. from the small town of Cloverdale, the 5 acre property used to be part of a 560-acre ranch belonging to Charles Crocker, founder of the Central Pacific Railroad.

The main lodge houses eight rooms, the lobby and library, kitchen, and a large, airy dining room with French doors opening to the outdoors. Wicker settees, chairs, and tables are tucked cozily into corners of the wraparound porch--perfect for lounging, reading, writing, or just contemplating. My favorite writing spot was a round table on the porch with a commanding view of the valley. The surrounding trees made me feel as if I was in a tree house. There was no brook close enough to babble audibly, but Sunday morning, the high-pitched chirps and twitters of birds punctuated the air.

I stayed in the Golden Spike room, located in a separate cottage a few steps from the main lodge. The decor's subdued tones of gold and olive complemented the rich wood panelling, and I had to resist a strong urge to immediately crawl under the fluffy duvet of the Queen bed, curl up, and not emerge till Spring--I was here to write, after all. It was mid-October, and even though the evenings were cooler, it wasn't cold enough to have the gas fireplace on for long--the heat it threw enticed me to sink back into the pillows with images of fancy Belgian chocolates swimming in my head (I'm here to write! I'm here to write!) More's the pity! What better atmosphere to write in than by a roaring fire-or the illusion of one? However, in the adjacent bathroom, a whirlpool tub did invite me to take my first bath in about eight years--with fragrant bath salts, no less. Ahhh, this was heaven!

In the dining room, coffee and tea was available all day for guests, along with a plate of munchies (the day we arrived it was chocolate chip cookies, the next it was a scrumptious banana chocolate chip bundt cake.) The three course breakfast on Sunday morning (included in the cost of our stay) was just as delicious, led by a plate of cranberry scones, followed by breakfast quiche and ending with a shishkabob of fresh fruit--enough food to fuel us for a good day of writing. Host, Tony Babb, kindly offered Gretchen and I the use of the inn's grounds for our writing pleasure, long past the check out time of 11:00 am., an opportunity we seized upon, scribbling and pounding away on our keyboards till 5 pm.

All in all, it was a very productive weekend for us, and had us already planning for our next "retreat", which no doubt will be back here at the Old Crocker Inn.

AS THE PUBLISHING WORLD TURNS ...

Susan McCombs from Tricycle Press sent me an editorial e-mail today (yep, the publishing industry is going high tech.) She finally got a chance to take my manuscript to an editorial meeting and the editors were "intrigued" by my story. It's sooo exciting!! They had a few questions and some suggestions for revisions (basically expanding already-present elements to the story). So, revise, revise, revise. They weren't difficult changes, and I had a lot of fun with them. I used to dread the revision process, but now I really enjoy it because the story is already there, pretty much complete, and all I'm doing is tweaking things here and there to strengthen the way I tell the story.

I submitted the story to my writer's group, the Ukiah Writers' Salon, and then did more revisions based on their feedback, and now it's back in Susan's hands. Unfortunately, Susan has some deadlines to meet this month, and so, probably won't be able to get back to me till sometime in November. Aaargh! Oh well, As the Publishing World Turns ... very, very slowly.

NORCAL SCBWI FALL CONFERENCE

I went to the NorCal SCBWI Fall Conference in San Rafael, California, on Sept. 8. It was great to get away for an all-day conference. There's nothing like being in a roomful of fellow writers, editors and agents, all talking about the process of writing and publishing to inspire you to get cranking on your writing project(s). Plus, I always seem to run into my writing friend, Andrea McAfee at these gatherings (we've been in several conferences/workshops together including the Pacific Coast Children's Writers' Conference and the Big Sur Writers' Conference, and it's fun to catch up.

The conference featured keynote speaker, Simon Wood, a native of England who now lives in California. He's had over 140 articles and stories published, and is the author of Working Stiffs and Accidents Waiting to Happen. His next book is Paying the Piper, out in November. Simon gave an inspirational talk about his struggles with dyslexia, and with his wife's help and support, his ability to work around his disability to achieve his dream of writing. Where there's a Will, there's a Way. For those of us who continue to persevere in our writing through rejections, months of waiting from publishers, and self-doubt will do well to remember that old adage.

Other conference speakers were Nina Hess, an editor at Mirrorstone, an imprint of Wizards of the Coast that publishes fantasy fiction for young readers; Ken Wright, an agent for Writer House; and Andrea Welch, an editor at Harcourt Children's Books. Unfortunately, I missed the presentation by Nina and Ken, and their Q & A panel because there was a parallel workshop on school visits with author T.E. Watson which was very informative. Public speaking is not my forte and I wanted to learn how to do school visits better, as in today's publishing climate, this is often the bread and butter of an author's career. T.E. was wonderful to work with and very generous with his proven ideas and steps to successful school visits. Now I'll know how to adequately prepare for my next school visit! I also bought two of his books ("Glen Robbie" and "Mom, Can I Have a Dragon?") at the conference, and my kids have really enjoyed them. "Glen Robbie", by the way, is beautifully illustrated. T.E., in turn, purchased my picture book, "Otto's Rainy Day", and we have kept in touch via e-mail about my current writing project with Tricycle Press which goes to show that the networking and connections you make with other writers at these conferences can be more valuable than just sitting down and listening to a presentation.

Andrea Welch from Harcourt whom I had met at the 2004 Pacific Coast Children's Writer's Workshop (she was Andrea Beebe then), led the audience through her process of bringing a picture book manuscript to publication which gave a terrific insight into the workings of an editor, and the thoughts and considerations that go into molding a manuscript into the best story it can be.

All in all, it was a good conference, and the manuscript I submitted for critique, "Armadillo Soup", received positive feedback which gave me more confidence to send it out. I've made my revisions on it, and have sent it to my old editor at Charlesbridge Publishing, Yolanda LeRoy.

ON HIBERNATING MUSES AND AFTER-PROJECT LULLS

School is back in session (yay!) Don't get me wrong. I love the easy-going summer months -- the lazy pajama-clad mornings, the smell of sunscreen and beach at the lake, the ashy scent of a camp fire and freshly barbequed hot dogs and chicken (food never tasted better), and most of all, the absence of all the crazy scheduling conflicts that usually come with school events and meetings. But when school is out, it's all about Family Time and keeping the kids from killing each other. During the school year, I can at least manage to carve out some exercising and writing time -- in essence, a little Me Time -- which helps keep me sane and centered, one hopes.

So, on the writing front, I have done little except some research on a YA novel I have in mind. In fact, the local public library is chasing me for the library books I've borrowed (guess I ought to drop those off soon). In addition to tending to family responsibilities 24/7 which usually zaps my creative energy, I've been in kind of an after-project lull. Having completed two picture book manuscripts, along with tons of revisions, in the last 10 months, my muse has gone into hibernation. That isn't to say I don't think about writing and certain writing-related elements of projects I have in the fire, just that not much is being transferred into a tangible form. Ah well, I'll get back in the groove in the fall. My friend, Gretchen, and fellow writer's group member and I are planning our own little weekend writing retreat sometime in October. It'll be great to have a huge chunk of writing time and a brief respite from dishes, meals, and, yes, piles of laundry.

I'm still waiting for Tricycle Press to get back to me on my picture book manuscript. It was supposed to have gone to an editorial meeting in July, but in response to my latest e-mail inquiry, editor Susan McCombs informed me that that meeting was cancelled at the last minute, and she hopes to have some word for me by the end of this month. Sigh -- such is the world of publishing. The bright side is that the manuscript hasn't been rejected -- yet.

I'm also looking forward to going to a one day SCBWI (Society of Children's Book Writers and Illustrators) writing conference on Sept. 8. I love writing conferences -- a whole day with fellow writers talking about books and writing, when hubby does all the meal times and diaper changes, making contacts and networking with editors and/or agents, a glorious day of Me Time. The SCBWI always runs some pretty interesting and informative conferences, so it should be fun and relaxing.

WAD IS NOT A DIRTY WORD

My last major writing project before the summer was the WAD fest (Writers, Actors, Directors), a 24 hour play festival in which writers have 12 hours to write a script based on a randomly selected theme, and the director and actors have 12 hours to learn their lines and stage the play. The writers get the night shift (from 8 pm. to 8 am.), so pumped with coffee, my co-writer, Paul Kubin, and I set upon the task to write a 10 min. play on this year's theme of "Travel". You can view the play here: "The Future of IPLA"
or on my website.

It was a blast! Who needs drugs? Caffeine and pure adrenaline is a potent mix, and inspite of some uncertainty over role distribution (how do we split the writing? Do each of us take one of the characters? Do we write different scenes? etc.), Paul and I had fun, especially in the brainstorming department. In the end, for consistency and continuity, it was best that only one of us was at the computer even though the other threw out ideas for dialogue and scenes during the collaboration process.

The main thing I learned about the art of collaboration, especially when you only have 12 hours to complete the project, is:
• Check your ego at the door -- it doesn't matter who does what, it's about the finished product
• Play to your strength -- the dialogue flowed out of Paul's fingers onto the keyboard, whereas in the few moments I tried
to take over while Paul took a break, I froze (I could never write well under pressure). I had a much easier time with
brainstorming and that was the fun part for me.

We finished the play at 7:45 am. with 15 mins. to print and get it to the director and actors, then off to catch up on some sleep. It was thrilling watching all the plays performed and marvelling at what some of the other teams did in 24 hours. Our actors and director did a fabulous job with the time they had -- what an immensely talented group! I'm looking forward to next year's WAD fest and with any luck, I'll be able to work with the same team.

SLOW AS MOLASSES BUT WORTH THE WAIT?

We all know that the publishing business is as slow as molasses, right? Especially when you're working without an agent like I am. But sometimes, no news can really be good news. Take the picture book manuscript I have circulating around the publishing world right now. I sent it to several publishers back in November. I received a rejection letter from Hyperion in 4 weeks, and one from Boyds Mill Press in 5. which goes to show that rejections tend to come a lot faster than acceptances. That's because if a manuscript generates some interest it has to go through several layers of scrutiny and evaluation before the publishing house decides to purchase it. Which leaves us writers a little hope if we don't get a speedy rejection.

Finally, after seven months of waiting, I wrote to Tricycle Press to inquire about my manuscript. Editor Susan McCombs e-mailed me to say that Summer Dawn Laurie, to whom I had originally sent my manuscript, no longer worked at Tricycle Press (this is another drawback of the publishing business -- editors come and go -- even though Summer had been with Tricycle for about 10 years, I believe). However, she had shared my story with Susan before she left (Yay! It wasn't left to languish in the slush pile), and Susan wanted to keep the manuscript longer for consideration. What does that mean? I asked. She wanted to take it to the next editorial meeting (Double Yay!) Considering the volume of submissions most publishing houses receive and the stiff competition writers face to get editors to take note of their work, it's exciting news indeed if your manuscript makes it to an editorial meeting.

And how much longer? Susan wrote: "After the meeting, occasionally members of the staff ask to read the manuscripts at another time, which can take another month or two depending on the number of projects they have pending." So, I may not know anything definitively till sometime in August or September. But I'm on the e-mail track now which means communication is so much easier and faster. E-mail rocks! I just hope it rocks even better news in a month or two.

In the meantime, I'm keeping myself from checking my e-mail obsessively. Thank God, for summer vacation! Between keeping my kids busy and trying to find time to finish my other picture book manuscript (I'm heavily in the revision process right now), and beginning work on my Young Adult novel, I'm lucky if I get to my e-mail once a day.

THE TALE OF TWO BLOGS

Okay, my blog disease has been cured. Somehow, I ended up with two blogger accounts -- decent picture of me (so you know who I am), nice font account; and no picture, messed up font account. How I got here, I do not know. The whole cyber thing is a total mystery to me. Wouldn't it be nice though, if that kind of thing happened in real life? Like at the bank?

"Miss Yim, we've discovered that you have another account with us. And it has a $1,000,000 in it."

Or at a publisher's?

"Miss Yim, we just found out that we've published your other book. And it's a New York times bestseller."

Sigh. Only in the blogging world.

WAD FEST

As if I don't already suffer from sleep deprivation, I've been crazy enough to sign up for the WAD (Writers, Actors, Directors) fest, otherwise known as the 24 hour play festival this weekend. WAD comprises several teams, consisting of a director, a writer or two, and two to four actors. Everyone meets at 8 pm. on Friday night, June 22, and each team gets to throw a theme into the hat. A theme is then drawn, and writers have to write their plays based on that theme. Writers have 12 hours from 8 pm. Friday, to 8 am. Saturday to write their script, then the directors and actors will have 12 hours, from 8 am. to 8 pm., Saturday, to learn their lines, stage the play, and perform in front of a live audience Saturday night at the Ukiah Players Theater. 

This is the second year it's been done in Ukiah. Last year, I was intrigued, but too chicken to try it -- I didn't think I could write under that kind of pressure. But this year, I'm collaborating with my fellow playwright and writers' group member, Paul Kubin, so there's someone else to share the load. WAD promises to be one big adrenaline-rush, and I'm looking forward to the friendly, albeit intense, competition.

BLOG DISEASE ALERT!

Yikes, my computer has been hit with some blog disease!  If you go to my blog through my home page, it's the blog page I designed, but if you go to View Blog through the Dashboard on blogspot.com, the template changes. Plus, I can't seem to find more than one or two blogs listed, so I can't go in and make the edits I want to my blogs. Weird! Marc, my programmer, will look into it next week.

So, if you see duplicate blogs or blogs that just say "Testing", they aren't meant to be there. I apologize for any confusion, but this problem will get fixed soon -- I hope.

AL CAPONE DOESN'T LIVE HERE ANYMORE

On my last two visits to Chicago, I was pleasantly surprised to find that it's not a dark, shadowy city, riddled with crime and teeming with mobsters that I had envisioned from watching too many film noir movies in my youth. In fact, it's a city of spectacular skyscrapers, picturesque parks, the daunting expanse of Lake Michigan, and fantastic museums.

You can't come to Chicago without going to the Field Museum, home of Sue the Tyrannosaurus Rex, the most complete fossil of T-Rex ever found. This is our second visit to the Field, and we still haven't made it beyond the first floor! There's just so much to see. And my girls love the Ancient Egypt exhibit -- all those mummies and hidden treasures. You can also have sleepovers there now, but those dates book fast. Unfortunately for us, the sleepover dates did not coincide with the time that we were there.

Next to the Field Museum is the equally amazing Shedd Aquarium with different rooms devoted to different geographical locations. Our favorite is the Amazon where you can find gargantuan fish, colorful tree frogs, and an anaconda.

We also visited Lincoln Park Zoo where the kids had fun with the paddle boats on the lake, and the animals. In the midst of it all, we celebrated my sister's birthday (41!). Shhh, I won't give her name away. Oh, all right. It's Shirin Bridges, author of Ruby's Wish (Chronicle Books). And met up with our London cousins who I haven't seen in 10 or 20 years.

Chicago is a city worth re-visiting. And next time, we'll start with the second floor of the Field Museum.

READINGS, WORKSHOPS, PLAYS, OH MY!

The first annual Mendo Lit. Fest was a great success, thanks to the hard work and vision of my friend and fellow Ukiah Writers Salonnette, Dot Brovarney! We had a really decent turnout, and it was gratifying to see so many people take the time on a beautiful Saturday morning to come out and share their love of books, writing, and all things literary.

The Mendo. Lit. Fest kicked off with a keynote presentation by bestselling author, Gary Soto, on Friday, June !st. The free activities on Saturday, June 2nd, included panel discussions, book readings, poetry readings, play performances, and wonderful booths by local booksellers.

I began the day with a reading of my book, "Otto's Rainy Day" at the Children's Tent. The children's book readings, unfortunately, had a fairly low turn-out. I only had 3 in mine, and I think the numbers never rose beyond 7. However, the book making activity drew quite a crowd with 17 kids. The writing workshops, though, were very well attended. I co-led "Discovering the Children's Writer in You -- from Idea to Submission"; with Gretchen Maurer, also a Ukiah Writers' Salonette. We initially had 6 people registered. When I arrived at the Lit. Fest, there were 11 on the list. By 1:30 pm., the list had jumped to 20. Eventually, 25 people came to the workshop! Our workshop was at the end of a long day, so thank you to all who came out and participated.

After my workshop, I headed to the Little Theater on the Mendocino College campus to watch the Hot Shorts -- an encore performance of 3 of the ten minute plays that were performed at the New Plays Festival. After a long day, I was ready to sit back, relax, and enjoy the show. However, after the performances, all the directors and writers of the plays at the New Plays Festival, even though they were not performed as part of the Hot Shorts, were called up on stage for a Q & A session with the audience. Great questions, and great fun!

Finally, my day ended with an Author's Reception at a local store where we could sip wine, nosh on pizza, chips and guacamole, and other yummy hor d'ouevres, and hobnob with other writers, and all the volunteers who made this day possible. I'm truly looking forward to next year's Lit. Fest!

FLUTTERING BUTTERFLIES AND AN AFTER-PLAY HIGH

I know, I know, it's only a ten minute play at a local community College, but it could have been on Broadway the way the butterflies fluttered and somersaulted in my stomach. The problem with comedy is that the timing and pacing is crucial if you want the audience to laugh at all the right places. So, this Friday and Saturday, May 18 & 19, as I took my seat in a packed theater (we had sold-out performances both nights!), I was half-wishing I had something a little stronger in my cup of coffee. But the cast was AWESOME! Talk about rising to the occasion! Though Friday night's performance was good, Saturday's was even better. They were so ON Target with their comedic timing, it was absolutely gratifying to hear peals of laughter from the audience. Even my husband, who can sometimes be my toughest critic, laughed uproariously, and without my planned cues of digging him in the ribs at the appropriate moments. "Oh, Baby!" will be posted under the Plays section on my website when the video becomes available. So, keep an eye out for it.